
Myramcilvain
Stein House
New Edition
: After three long months at sea, Helga Heinrich and her four children sail into the thriving Indianola seaport on the Texas coast in 1853 to begin their new life. They are determined to overcome the memory and haunting legacy of Max, her husband and their papa, who drowned in a drunken leap from the dock as their ship pulled away from the German port.
Helga is anxious to be reunited with her sister Amelia, and she’s grateful her wealthy brother-in-law, Dr. Joseph Stein, fulfills his part of the bargain that brought the family to the new world, even without Max to run Stein Mercantile. Helga takes charge of Stein’s massive boarding house overlooking the road to Texas’ interior and the fickle waves of Matagorda Bay.
““A wonderful slice of history that animates mid-19th century central Texas.“–Kirkus Reviews —
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Awards
STEIN HOUSE––2014 First Place, General Fiction Texas Association of Authors
STEIN HOUSE–2015 Winner Adult Fiction, North Texas Book Festival, Denton
STEIN HOUSE–2015 Finalist, Historical Fiction, International Book Awards
STEIN HOUSE–Best Books Read in 2015, Gals-Very Smart Gals: Texas Book Club
Texas Book Club Interview
Recognition:
Kirkus Star Review––June 2014
Named one of four Indie books selected for the Kirkus Indie Book of the Month in the 9/15 Kirkus Reviews Magazine.
Named one of Kirkus Best of 2014.
Reader comments:
“Those who know Texas well, as Myra McIlvain does, will no doubt recognize the cultural landmarks in her new book, Stein House. They will also hear familiar strains of historical human struggle against the power of nature reminiscent of Dorothy Scarborough’s The Wind. For those who aren’t familiar with the layers of life in early Texas, though, Stein House offers a good starting point for understanding and appreciating what defines the Lone Star sense of place.”
Dan K. Utley, Historian
Co-author of History Ahead and Faded Glory
“In Stein House, Myra McIlvain gives us a fascinating view into the little known world of the
German pioneers who settled Indianola, Texas, in the last half of the nineteenth century. In
this gripping, epic tale, we follow the young Helga Heinrich and her children as they make
their crossing to the new world where they struggle against the forces of nature and their own
shortcomings to carve out a life for themselves in this land of opportunity.”
—Daya Doris, playwright of the awarding-winning “Blinded by the Lights”
“With Stein House, Ms. McIlvain opens a window on a forgotten port in a faraway past through
which we see the courage, fortitude, and tenacity of realistic characters overcoming turbulent
times. Think Gone with the Wind with a German accent.”
—Howie Richey, The Texas Back Roads Scholar
Book Review: Writers’ League of Texas, Laura Sanders
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Excerpts:
A crowd had gathered in front of an impressive white two-story building. A sign over the door read Casimir House.
Amelia whispered, “Let’s cross to the other side. It’s a slave auction.”
Helga’s breath caught, and she stood transfixed, staring at a black boy, not more than ten, chained by his ankle and wrist to a giant black man. Both slaves had been oiled until their flesh shined like polished ebony, outlining every detail of their muscles.“They look so strong.” Hermie spoke barely above a whisper. “Have you ever seen such muscles on a boy?”
Helga had not. The child’s massive shoulders bulged under the faded, sleeveless shirt, his powerful arms hanging loosely at his sides, seemingly waiting for the next command. She looked down at the round softness of Hermie and Paul. How could she think their life was hard? Yet in this new land she intended to see their lives improve.
Suddenly the crowd parted, and Helga recognized the top of Anna’s blonde head as the child stepped onto the porch and very lightly stroked the black, manacled hand of the boy. The contact made the boy jump—the only indication of his fright. The crowd burst into merry laughter as Anna examined her fingertip for color.
Helga pushed her way into the throng and took Anna firmly by the hand. “Please forgive her,” she whispered, her eyes riveted to the black child’s steady gaze.
The amused spectators patted Anna’s head and made comments about the lovely little German lass until the auctioneer began chanting excitedly. Almost immediately, the bidding reached a fever pitch.
Gretchen said, “Is that man selling those people?”
“It’s legal. A few locals use slaves as domestics. Mostly, they’re sold to planters who take them upriver.” Amelia kept her voice low.
Helga couldn’t speak. She clutched Anna’s hand and stared at the boy, who continued to look into her stricken face, his eyes bold and defiant, so little remaining of the child within that fully developed body.
We must go. You don’t want to see them taken away.” Amelia tugged at Helga’s arm.
“I’ve got to see where he goes,” Helga whispered.
A planter stepped forward wearing a big, broad-brimmed hat and a green satin vest that made his stomach bulge like he was about to strut at the head of a parade. He paid an amazing $900 for the boy and $1,200 for the man. The auctioneer nodded dismissively at the slaves, who trotted behind the planter in a rhythm that kept them from entangling their jangling chains. With one smooth motion, both black bodies heaved themselves into the back of a wagon. It creaked slowly away, the older slave glaring sullenly into the upturned faces, the boy continuing to stare over the crowd at Helga.
Amelia pulled at Helga’s arm. “Come. You can make yourself sick over something you can’t change.”
Anna tucked her finger protectively into the fold of her skirt.
Questions for Book Club Discussion of Stein House:
- What captured your imagination and made you keep reading Stein House OR what turned you off and resulted in you putting it aside?
- Did you identify with Helga or Amelia or any of the other characters? Why?
- Did you feel anger at any of the characters? What stirred that response?
- Did the time period 1853 to 1886 interest you? How about all the history, did it get in the way of the story?
- Did you learn some things about that time period that you did not know?
- What did you think of Helga’s parenting?
- Did you worry about any of the characters more than the others?
- Did the characters seem real to you?
- Did you see any parallels with our current times? What?
- How about the way Helga handled Paul’s increasing use of alcohol? Was it appropriate? Should she have done something differently?
- How about Helga’s response to Hermie’s amputation?
- Did the things that happened to the characters seem real, seem like they could have happened?
- How about Helga’s relationship with Eagle?
- Should Helga have given up Stein House and traveled with Eagle?
- What did you think of Helga’s lack of connection to the church? With her decision not to push the children to give to the church?
- Her papa was a pastor. Did she act like a pastor’s daughter?
- Would you like to know more about Amelia? How she ended up in Indianola and her life before Helga and the children arrived?
- Did Amelia act as you expected after Dr. Stein disappeared in the 1875 storm?